A24’s Backrooms Earns $81.5 Million as Kane Parsons’ Obsession Adds $26.4 Million
Image: WIRED

A24’s Backrooms Earns $81.5 Million as Kane Parsons’ Obsession Adds $26.4 Million

30 May, 2026.Entertainment.17 sources

The story in 15 seconds

  • Backrooms opened to approximately $81 million in North America.
  • Obsession performed strongly, contributing to the horror weekend box office.
  • Outlets describe a YouTube-to-horror pipeline dominating the box office.

The divide · 1 of 3

Industry relevance vs systemic critique of the YouTube pipeline.

Framing shifts from optimism to questioning platform access and industry bias.

Who skipped what

How each outlet frames it

Every outlet we compared, the headline it ran, and a link to the original article.

Source Diversity
17 sources
Western Mainstream
11
Other
3
Western Alternative
2
Local Western
1

Other

Complex
Complex

A Brief Timeline of YouTube Creators Becoming Hollywood’s Future for Horror

30 May, 2026

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Flickering Myth
Flickering Myth

Star Wars craters as Backrooms and Obsession post stunning box office numbers

31 May, 2026

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SlashFilm
SlashFilm

Backrooms And Obsession Prove The Future Of Horror Filmmaking Is YouTube ... If You're A Dude

31 May, 2026

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Western Alternative

Deadline
Deadline

Box Office: 'Backrooms' $85M-$89M Opening Is An A24 Record

30 May, 2026

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Salon
Salon

We’re trapped in “Backrooms” hell

30 May, 2026

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Local Western

L'ADN
L'ADN

Ranking: who are the 10 most-followed French YouTubers?

31 May, 2026

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Western Mainstream

NBC News
NBC News

YouTuber box office boom: ‘Backrooms’ and ‘Obsession’ draw Gen Z to theaters

31 May, 2026

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Rolling Stone
Rolling Stone

‘Backrooms’ Is the Carbonara of Creepypasta Cinema

29 May, 2026

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TechCrunch
TechCrunch

This weekend’s two biggest movies were both directed by YouTubers

30 May, 2026

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TechCrunch
TechCrunch

This weekend’s two biggest movies were both directed by YouTubers

31 May, 2026

Read the original →
The Hollywood Reporter
The Hollywood Reporter

‘Backrooms’ Setting A24 Record With $80M-Plus Opening, Focus’ ‘Obsession’ Making Box Office History in Third Weekend

30 May, 2026

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The Hollywood Reporter
The Hollywood Reporter

Jason Blum on Obsession, Backrooms Box Office Success Saving Our Industry

30 May, 2026

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The New York Times
The New York Times

‘Backrooms’ Is Part of a Boomlet in Movies From YouTube Creators

29 May, 2026

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The Ringer
The Ringer

‘Backrooms’ Gets Lost in Its Own Labyrinth

29 May, 2026

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Variety
Variety

Box Office: ‘Backrooms’ Scares Up $38 Million on Friday, Already Shattering Record for A24’s Best Opening Weekend

30 May, 2026

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Variety
Variety

How to Watch the Original ‘Backrooms’ YouTube Series That Inspired Kane Parsons’ Eerie A24 Film

30 May, 2026

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WIRED
WIRED

‘Backrooms’ Takes You Deeper Inside the Internet’s Most Uncanny Horror Myth

30 May, 2026

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Full story

YouTube horror tops box office

“Backrooms” and “Obsession” have surged at the box office this weekend, with A24’s “Backrooms” taking $81.5 million in its first three days in theaters and “Obsession” adding $26.4 million for a second-place finish.

For the second half of May 2026, an intriguing type of horror has owned the box office

ComplexComplex

NBC News said “Backrooms,” released by A24 in 3,442 locations in the U.S. and Canada, was directed and co-written by YouTube creator Kane Parsons, and cost $10 million to produce.

Image from Complex
ComplexComplex

The Hollywood Reporter said Obsession and Backrooms are “a new kind of movie” made by “non-traditional directors,” and it framed the success as a sign that theatrical releases can still draw audiences.

TechCrunch reported that “Backrooms” will bring in an estimated $81 million at the domestic box office this weekend alone, while “Obsession” is set to grow another 10 percent in its third weekend.

Flickering Myth added that last week’s champ Star Wars: The Mandalorian and Grogu suffered a huge 70% drop as the two horror films occupied the top two spots.

Producers and executives react

Blumhouse-Atomic Monster president Abhijay Prakash said the weekend is “staggering and validation of their business,” and he described the results as a “great sign of relevance for us.”

The Hollywood Reporter quoted Jason Blum saying “Since COVID, there’s been this lethargic feeling around theatrical, and is it relevant anymore and is it going to survive?” while arguing that Obsession and Backrooms are “a new kind of movie.”

Image from Deadline
DeadlineDeadline

NBC News reported that exit polls found 86% of the audience was under 35, more than half were under 25, and 44% were under 21 for “Backrooms.”

NBC News also quoted Luis Olloqui, the CEO of Cinépolis USA, saying, “We were a little worried that they would be competing for the same audience. It’s not the case,” as he pointed to sellouts for both movies.

Flickering Myth said Disney+ spin-off Star Wars: The Mandalorian and Grogu earned $25 million in its sophomore frame, taking its domestic total to $137.4 million and worldwide tally to $246.6 million.

From web series to theaters

Variety described “Backrooms” as the feature adaptation of Kane Parsons’ YouTube series, saying the 22-video web series has accumulated more than 25 million views and Parsons’ account has more than three million subscribers.

This weekend at the box-office Star Wars: The Mandalorian and Grogu hasn’t been downed by The Galactic Empire or another Disney-owned IP, but by Gen Z filmgoers turning up in huge numbers to support two critically acclaimed horror films

Flickering MythFlickering Myth

TechCrunch said “Backrooms” is a feature film expansion of Kane Parsons’ series of YouTube videos featuring eerie found footage of a mysterious office space drawn from a 4chan thread, and it reported an estimated $81 million domestic opening this weekend.

The Hollywood Reporter reported that Obsession was written and directed by 26-year-old YouTuber Curry Barker and made for $750,000, while it said Backrooms is co-financed by Chernin Entertainment and the $10 million adaptation could gross as much as $90 million.

Flickering Myth said Backrooms grossed $118 million globally on its debut and called it the largest opening ever for A24, while also noting that it earned Parsons the title of the youngest director ever to have the top film at the box-office.

NBC News added that “Backrooms” started as a creepypasta before Parsons turned the concept into a viral web series, and it said the movie was produced by Blumhouse-Atomic Monster.

The deep audit

How victims, perpetrators and terms are handled across outlets.

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